Art on “Identity”
- Preeminent theme in Western art and art discourse
- Interested in identity:
- 1990, The Decade Show
- 1993, Whitney Biennial - Key theme in United States and Europe after WWII
- Identity
- self identity
- gender identity
- sexuality identity
Catherine Opie
- North American
- Homosexual artist, photographer
- Documentary photography
- Identities <-> surrounding architecture
- Play with color
- formal color-saturated portraits - “Let’s push the boundaries a little bit here about what you guys think normal is.”
Catherine Opie, Chicken
- 1990 series, Being and Having
- altered by sporting facial hair
- Fake mustaches and beards
- Chicken - nameplate engraved with“gang persona”
- Challenge gender stereotypes
- Binary oppositions (二元對立)
--> act correctly = Normal
--> Chicken- cross-dressing = Queer , Abnormal
--> mix two gender’s characteristics together - Identity is not fixed
- Fluid, transformable and expanding
- Determine by outside influences
- using fake mustaches - Gender is ambiguous
Questions
- Rather than identity, can you think of other issues/messages that Catherine Opie is going to present in the work of Chicken? Or do you have other interpretation of this work?
- To what extend does this work help to understand the issue of identity?
Personal views
- The status of female
- maleà higher status in society
- pretended to be male
- strive for the acceptance and increase status - Challenge on “What you see is what you get?”
- subvert expectation of realism and authenticity
- invisibility of the homosexual community and queer culture
- Christopher Lyon, Lesbian Art in American, United States of America: Rizzoli International Publications, 2000.
- Robertson, Jean and Craig Mc Daniel (2005), Themes of Contemporary Art: Visual Art After 1980. Oxford: Oxford University Press, 2004.
- Catherine Opie at the Guggenheim, The New York Times, http://www.nytimes.com/slideshow/2008/09/25/arts/0926-OPIE_1.html
- Peter Plagens, From Frame to Tame,
http://www.newsweek.com/id/160063?tid=relatedcl
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